{"id":7156,"date":"2013-06-17T17:10:43","date_gmt":"2013-06-17T15:10:43","guid":{"rendered":"http:\/\/lantb.net\/uebersicht\/?p=7156"},"modified":"2013-06-17T22:19:23","modified_gmt":"2013-06-17T20:19:23","slug":"jose-antonio-suarez-londono","status":"publish","type":"post","link":"https:\/\/lantb.net\/uebersicht\/?p=7156","title":{"rendered":"Jos\u00e9 Antonio Su\u00e0rez Londo\u00f1o. Le diary comme m\u00e9dium"},"content":{"rendered":"<blockquote><p><a href=\"http:\/\/lantb.net\/uebersicht\/wp-content\/uploads\/2013\/06\/londono01.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-7159\" title=\"londono01\" src=\"http:\/\/lantb.net\/uebersicht\/wp-content\/uploads\/2013\/06\/londono01.jpg\" alt=\"\" width=\"480\" height=\"355\" \/><\/a><br \/>\n<a href=\"http:\/\/lantb.net\/uebersicht\/wp-content\/uploads\/2013\/06\/londono04.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-7158\" title=\"londono04\" src=\"http:\/\/lantb.net\/uebersicht\/wp-content\/uploads\/2013\/06\/londono04.jpg\" alt=\"\" width=\"480\" height=\"358\" srcset=\"https:\/\/lantb.net\/uebersicht\/wp-content\/uploads\/2013\/06\/londono04.jpg 640w, https:\/\/lantb.net\/uebersicht\/wp-content\/uploads\/2013\/06\/londono04-300x224.jpg 300w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><\/a><a href=\"http:\/\/lantb.net\/uebersicht\/wp-content\/uploads\/2013\/06\/londono03.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-7157\" title=\"londono03\" src=\"http:\/\/lantb.net\/uebersicht\/wp-content\/uploads\/2013\/06\/londono03.jpg\" alt=\"\" width=\"480\" height=\"355\" \/><\/a><a href=\"http:\/\/lantb.net\/uebersicht\/wp-content\/uploads\/2013\/06\/londono04.jpg\"><br \/>\n<\/a>Jos\u00e9 Antonio Su\u00e0rez Londo\u00f1o. <em>Franz Kafka. Diarios II 1914-1923<\/em>, 2000. Ou le daily-drawing.<br \/>\n<span style=\"color: #008000;\">\u00abSuarez Londo\u00f1o creates his notebook drawing as a record of the private and obscured conversation between artists.\u00bb<\/span>*<br \/>\nD\u00e9couvert \u00e0 la Biennale de Venise dans l&rsquo;exposition <em>Il Palazzo enciclopedico<\/em>.Tr\u00e8s tr\u00e8s joli. Mes photos des pages des <em>Diarios<\/em> sous vitrine\u00a0 et&#8230;<\/p>\n<p><a href=\"http:\/\/lantb.net\/uebersicht\/wp-content\/uploads\/2013\/06\/londono815x543.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-7174\" title=\"londono815x543\" src=\"http:\/\/lantb.net\/uebersicht\/wp-content\/uploads\/2013\/06\/londono815x543.jpg\" alt=\"\" width=\"640\" height=\"426\" srcset=\"https:\/\/lantb.net\/uebersicht\/wp-content\/uploads\/2013\/06\/londono815x543.jpg 815w, https:\/\/lantb.net\/uebersicht\/wp-content\/uploads\/2013\/06\/londono815x543-300x199.jpg 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><br \/>\nla photo emprunt\u00e9e <a href=\"http:\/\/www.labiennale.org\/en\/mediacenter\/photo\/55-f1.html\" target=\"_blank\">au site de l&rsquo;exposition<\/a>.<\/p><\/blockquote>\n<p>Collection des dessins de l&rsquo;artiste au <a href=\"http:\/\/www.moma.org\/collection\/artist.php?artist_id=26770\" target=\"_blank\">Moma<\/a> et Exposition <em>The Yearbooks<\/em>, au <a href=\"http:\/\/www.drawingcenter.org\/en\/drawingcenter\/5\/exhibitions\/14\/past\/104\/jose-antonio-suarez-londono\/\" target=\"_blank\">Drawing Center<\/a> en 2012 :<\/p>\n<blockquote><p><iframe loading=\"lazy\" src=\"http:\/\/e.issuu.com\/embed.html#0\/1458357\" frameborder=\"0\" width=\"525\" height=\"525\"><\/iframe><\/p><\/blockquote>\n<p>* Extrait du texte du cartel de pr\u00e9sentation \u00e0 Venise :<\/p>\n<blockquote><p>\u00a0\u00abJos\u00e9 Antonio Su\u00e0rez Londo\u00f1o governs\u00a0 his extensive output of drawings through strict discipline and regulation. A particular part of his practice came about after the Colombian author Hector Abad asked him to participate in a project in which Su\u00e0rez Londo\u00f1o would draw a picture every day. At the end of each month Abad would review the works and construct a text around them. Su\u00e0rez Londo\u00f1o&rsquo;s prolific, persistent output proved to be too overwhelming for the author but served as a catalyst for the artist. Inspired by the rigor of his task-oriented schedule, Su\u00e0rez Londo\u00f1o began a daily response to a corresponding text, starting with Brian Enos&rsquo;s diary, <em>A Year with Swollen Appendices<\/em> (which contains an entry for each day of the year). He has since moved to the diaries of Paul Klee, Franz Kafka, and Eug\u00e8ne Delacroix, the poetry of Patti Smith, Arthur Rimbaud, and Blaise Cendrars, as well as Ovid&rsquo;s <em>Metamorphoses<\/em> and W.G. Sebald&rsquo;s <em>The Rings of Saturn<\/em>.<br \/>\nTransposing the interior universes of prose and poetry into images, Su\u00e0rez Londo\u00f1o reads until he feels inspired to draw, paint, or write situational details and minutiae. To date, the artist has generated sixty-five <em>Yearbooks<\/em> \u2014his term for the notebooks containing his daily drawings. In these works, the image&rsquo;s relationship to the text can seem abstruse and ciphered \u2014an internal dialogue between the artist and the author. From numbered indexes of bells and clouds to horror vacui and figuratives studies, the drawings can, at times, appear confessional or metaphorical. However, instead of providing diagrammatic annotations, <span style=\"color: #008000;\">Su\u00e0rez Londo\u00f1o creates his notebook drawings as a record of the private and obscured conversations between artists<\/span>. JP<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Jos\u00e9 Antonio Su\u00e0rez Londo\u00f1o. Franz Kafka. Diarios II 1914-1923, 2000. Ou le daily-drawing. \u00abSuarez Londo\u00f1o creates his notebook drawing as a record of the private and obscured conversation between artists.\u00bb* D\u00e9couvert \u00e0 la Biennale de Venise dans l&rsquo;exposition Il Palazzo enciclopedico.Tr\u00e8s tr\u00e8s joli. Mes photos des pages des Diarios sous vitrine\u00a0 et&#8230; la photo emprunt\u00e9e &hellip; <a href=\"https:\/\/lantb.net\/uebersicht\/?p=7156\" class=\"more-link\">Continuer la lecture de <span class=\"screen-reader-text\">Jos\u00e9 Antonio Su\u00e0rez Londo\u00f1o. Le diary comme m\u00e9dium<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[242,90,166],"tags":[],"class_list":["post-7156","post","type-post","status-publish","format-standard","hentry","category-livre-2","category-varia-art","category-voyage"],"_links":{"self":[{"href":"https:\/\/lantb.net\/uebersicht\/index.php?rest_route=\/wp\/v2\/posts\/7156","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lantb.net\/uebersicht\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lantb.net\/uebersicht\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lantb.net\/uebersicht\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/lantb.net\/uebersicht\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7156"}],"version-history":[{"count":0,"href":"https:\/\/lantb.net\/uebersicht\/index.php?rest_route=\/wp\/v2\/posts\/7156\/revisions"}],"wp:attachment":[{"href":"https:\/\/lantb.net\/uebersicht\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7156"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lantb.net\/uebersicht\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7156"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lantb.net\/uebersicht\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7156"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}